Precedents.

Latin American classical music is rich, diverse and multifaceted. The region’s composers draw their inspiration from sources that range from the Aztec, Incan and Mayan cultures, to folk tradition and popular music. From the grandeur of the Andes to the flora and fauna of the rain forest, nature, too, has influenced many generations of Latin American composers. At the same time, the region has provided the fertile ground in which contemporary European and North American musical styles have flourished. Is there anywhere else in the world that can boast of such musical heterogeneity?

And yet, Gilbert Chase’s observation is as true now as it was nearly 80 years ago!

At the same time, however, this music may be perceived as difficult to interpret by North Americans who are outside of its traditions. In effect, and perhaps due to this reason, there is actually less Latin American classical music being performed in this country than one might think. In fact, many major symphony orchestras do not program a single Latin American work across an entire season; similarly, the conductors of university orchestras are largely unlikely to include Latin American works on their programs. This problem also extends to the academic world. Although many traditional college music programs have been augmented by courses or programs in “world music,” the classical music of Latin America still receives less attention than it deserves. Indeed, at a recent convention of the world’s largest body of Latin Americanists, the Latin American Studies Association (LASA), out of the nearly 4000 papers that were presented, only one of these focused on Latin American classical music.

Survey Results graphic

These anecdotal data points were confirmed by our own survey, which shows that a substantial majority of university music faculty has a fair or poor knowledge about Latin American classical music (the orange and blue areas on the above pie chart).

Objectives.

Consequently, CILASiM was formed to address this need and to serve as one of the world’s leading advocates for Latin American classical music. In so doing the Institute is seeking to promote this music through various programs and services that are designed to stimulate the composition, performance and study of this music. The organization is led by President and CEO Dr. John L. Walker, who as a musicologist has written extensively about Latin American classical music, particularly as it relates to the emigration of European musicians to Latin America from about 1850 to 1920. Walker is also the founder of Cayambis Music Press, which during the past seven years has published hundreds of quality works by contemporary composers from throughout Latin America, as well as a growing number of historically significant compositions from the 19th and 20th centuries.

As an essential part of CILASiM, Cayambis Music Press will continue in its mission to publish the finest classical music from Latin America. This will never change.

Board of Directors.

The Cayambis Institute is being guided by a dedicated and able board of directors.

  • John L. Walker, President & CEO
  • Catalina Andrango-Walker, Vice president
  • Ludeman Eng, Secretary
  • Flourette Ketner, Treasurer
  • Gerhardt Schurig

Next steps.

Here at CILISiM, we are working hard every day to create, fund and implement our projects, programs and services. In the meantime, if you would like to become involved with our organization in any way or form, please let us know.


The Cayambis Institute for Latin American Studies in Music (CILASiM) is a 501(c)(3) nonprofit organization, EIN 84-272763.