One of the objectives of the Cayambis Institute for Latin American Studies in Music (CILASiM) is to strengthen the awareness and appreciation of Latin American classical music. In support of this mission, the Institute operates a professional ensemble, the Cayambis Sinfonietta, which is made up of winds, strings, percussion and piano; in essence, the ensemble is like a miniature orchestra that can effectively perform a wide range of music of different styles and time periods.
Directed by John L. Walker, the group’s repertoire comprises many exclusive works written for the ensemble by leading composers from throughout Latin America as well as carefully prepared arrangements of some of the most important Latin American and U.S. works from the mid 19th to early 20th century, such as the overture from the opera, Il Guarany, by Brazilian composer Carlos Antônio Gomes and René Amengual’s Preludio sinfónico.
Elizabeth Lantz, flute
Eileen Young, clarinet
Amber Ferenz Spuller, bassoon
Matt Cataldi, piano
Al Wojtera, percussion
Myles Thomas, percussion
Charley Shafer, violin
Lisa Liske-Doorandish, cello
John Spuller, string bass
The Sinfonietta’s repertoire, unlike that of any other US-based performance ensemble, is an exciting journey through some of the best instrumental music that the American hemisphere has to offer. Across the more than ten pieces that make up the program, the Sinfonietta will demonstrate its versatility by performing a representative cross section of the western hemisphere’s most important styles over the past one hundred thirty-five years, including Italianate opera overtures, Chilean impressionism, Guatemalan indigenism, Mexican folklorism, etc., as well as with a delightfully modern take on the tango by Argentine composer Federico Núñez, recently premiered by the Sinfonietta:
At the same time, however, we are proud to highlight some of this country’s overlooked gems from the turn of the century, such as Edward MacDowell’s The Saracens and Henry Gilbert’s symphonic prologue, Riders to the Sea.
Your audience will not only enjoy a truly unique concert experience, but also, will gain a greater appreciation of the richness and diversity of our hemisphere’s classical music.
Adequate lighting; 20’ x 20’ stage; tuned piano, music stands and straight-back chairs without arms. For more specific information, please review our technical rider.
Because of the ensemble’s unique repertoire, fees may vary slightly, depending on the number of musicians involved.
Concert and Master Class $3000.00 (Travel costs may be additional).
The Sinfonietta is planning on taking a three-city tour of western Virginia this coming October. Watch this space for more details as they develop!
The Sinfonietta has also developed an interactive school show built around an iconic Mexican orchestral work to demonstrate and explain the typical elements of Latin American classical music. (Please note: for the time being, we can only make this program available to middle and high schools in southwest Virginia, southern West Virginia and north-central North Carolina). Click here for more information!